Las óleos de todo Joseph Mallord William Turner

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Painting (From A to Z)

Details

54955

Sailboat

mk238 1840-1845 30.5x48cm

24454

Sailing boats at sea (mk31)

1796-97 Watercolour,gouache and pencil 11.3x18.6cm

24455

Sailing vessel at sea (mk31)

1796-97 Watercolour,gouache and pencil 11.3x18.6

24470

Saltash,Cornwall (mk31)

1825 Watercolour 27x41cm

43920

San Giorgio Maggiore at Dawn

224 x 287 mm

87988

Schatten und Dunkelheit: Der Abend vor der Sintflut

1843(1843) Medium Oil on canvas Dimensions 78,7 x 78 cm cjr

93742

Schiffsverkehr vor der Landspitze von East Cowes

1827(1827) Medium oil on canvas Dimensions 46 x 60 cm cjr

54893

Sculpture

mk238 1827 Watercolour 14.1x19.2cm

54902

Sea

mk238 1822 Watercolour 15.2x21.8cm

54987

Sea

mk238 1844 Watercolour 22.8x32.8cm

54848

Sea fight

mk238 1806 Oil on canvas

54922

Sea fight

mk238 1823-1824 Oil on canvas 259x365.8cm

54943

Sea hog

mk238 1835-1840 Oil on canvas 91x122cm

77773

Self portrait

1798(1798) Medium Oil on canvas Dimensions 74 ?? 58 cm (29.1 ?? 22.8 in) cyf

78619

Self portrait

1798(1798) Medium Oil on canvas Dimensions 58 x 72.5 cm (22.8 x 28.5 in) cyf

79285

Self portrait

1798(1798) Medium Oil on canvas Dimensions 72.5 x 58 cm (28.5 x 22.8 in) cyf

75960

Self-portrait

1798(1798) Oil on canvas 74 ?? 58 cm (29.1 ?? 22.8 in) cjr

78484

Self-portrait

1798(1798) Oil on canvas cjr

54906

Sengmolisi

mk238 1827 Watercolour 23.6x29.5cm

71906

Shade and Darkness

Shade and Darkness - the Evening of the Deluge exhibited 1843 Oil on canvas, 787 x 781 mm frame: 1035 x 1035 x 115 mm, Stolen on July 28, 1994 from Kunsthalle Schirn, Frankfurt am Main

55198

Shape

mk239 1937 88.9x116.3cm

55081

Sheila

MK239 1912 Oil on canvas 108.8x108.8cm

24474

Shipping off East Cowes Headland (mk31)

1827 Oil on canvas 46x60cm

55144

Shock

mk239 1924 Watercolour

54867

Sikabolofu

mk238 1818 Watercolour 28.6x40.4cm

55028

Skirt

mk239 1909 Oil on canvas 95x128.5cm

55210

Sky

mk239 1940 Oil on canvas 100x73cm

56926

Slave ship

mk250 Year in 1840. Cloth on canvas, 90.7 x 122.7 cm. Boston Museum of Art.

55171

Small icon

mk239 1927 Watercolour 48.1x32.1cm

43977

Snow Storm, Hannibal and his Army Crossing the Alps

1812 Oil on canvas, 145 x 236,5 cm

40645

Snow Storm,Hannibal and his Amy Crossing the Alps

mk156 c.1811 Oil on canvas 146x237.5cm

40689

Snow Storm-Steam-Boat off a Harbour-s Mouth

mk156 1842 Oil on canvas 91.4x121.9cm

21771

Snowstorm Boat at the Harbour Entrance (mk10)

1842 Oil on canvas 146 x 237 cm London,Tate Gallery

3234

Snowstorm Steamboat off Harbor's Mouth

1842 National Gallery, London

55170

Solidity

mk239 1927 Watercolour 48.3x32.3cm

92166

Sommer-Hill bei Turnbridge

1811(1811) Medium oil on canvas Dimensions 91,5 X 122,3 cm cyf

87356

Sommer-Hill bei Turnbridge, Wohnsitz des W.F. Woodgate

Date 1811(1811) Medium Oil on canvas Dimensions 91,5 x 122,3 cm cjr

55155

Spoil

mk239 1925 Watercolour 48.4x32.1cm

55192

Spread

mk239 1934 53x30cm

54969

Square view

mk238 1833-1835 Watercolour 15x22.8cm

24492

St.Benedetto.looking towards Fusina (mk31)

1843 Oil on canvas 61.5x92cm

55159

Stable

mk239 1925 Watercolour 48.5x32.3cm

54896

Step

mk238 1827 Watercolour

54949

Storm

mk238 1842 Watercolour 22x21.7cm

54951

Storm

mk238 1840-1845 Oil on canvas 91.4x121.9cm

54961

Storm

mk238 1845 Watercolour 28.9x47.3cm

54975

Storm

mk238 1840 Watercolour 21.8x31.8cm

54865

Storm Wind

mk238 1812 15.3x21.7cm

55019

Street

mk239 1908 Oil on canvas 33x41cm

55189

Stress

mk239 1934 8.4x80.7cm

55194

Structure number 9

mk239 Oil on canvas 1936 Oil on canvas 114x195cm

55023

Study

mk239 1909 Oil on canvas

55090

Study

mk239 1913 Watercolour 25.8x34.5cm

55212

Study

mk239 1914 31.8x49.5cm

55021

Study of Church

mk239 1908-1909

55030

Study of church

mk239 1910 Oil on canvas 32x44cm

54903

Study of Lusi

mk238 1824 Watercolour 17.4x24.8cm

55087

Study of white line

mk239 Oil on canvas 1913

24463

Sun rising tyhrough vapour:Fishermen cleaning and selling fish (mk31)

1807 Oil on canvas 134.5x179cm

24490

Sun setting over a lake (mk31)

1840 Oil on canvas 91x122.5cm

54855

Sunrise

mk238 1806-1807 Oil on canvas 85.7x116.2cm

54957

Sunrise

mk238 1840-1845 Oil on canvas 91.5x122cm

3214

Sunrise Between Two Headlands

Tate Gallery, London

3238

Sunrise with Sea Monsters

1845 Tate Gallery, London

54850

Sunset

mk238 1805 watercolour 25.7x36.8cm

54879

Sunset

mk238 1819 Watercolour 23.1x36.9cm

54891

Sunset

mk238 1827 Watercolour 14x19.3cm

54892

Sunset

mk238 1827 Watercolour 13.8x19.1cm

54908

Sunset

mk238 1825-1830 Watercolour 34.5x48.6cm

54934

Sunset

mk238 1832 Watercolour 14x19.2cm

54956

Sunset

mk238 1840-1845 25.8x30cm

54960

Sunset

mk238 1845 Oil on canvas 91.4x121.9cm

54966

Sunset

mk238 1840-1845 Oil on canvas 90.8x121.9cm

54989

Sunset

mk238 1844-1845 Watercolour 24.4x30.3cm

54898

Sunset near the lake

mk238 1832 13.8x19cm

54941

Surf

mk238 1835 23x30.5cm

55024

Sword

mk239 1909 Oil on canvas 125x73cm

54915

Tempt

mk238 1834 Watercolour 19.3x14cm

55165

Tender

mk239 1927 Oil on canvas 100x50cm

55160

Tender advocacy

mk239 1926 Watercolour 40.5x53.8cm

43982

The Angel Standing in the Sun

1846 Oil on canvas, 79 x 79 cm

51742

The Angel Standing in the Sun

nn09 c.1846 Oil on canvas 31x31in

76119

The Battle of Trafalgar

The Battle of Trafalgar (1822). cyf

24247

The Battle of Trafalgar (mk25)

21 October 1805 c 1823

74569

The Battle of Trafalgar by J. M. W. Turner

The Battle of Trafalgar by J. M. W. Turner (oil on canvas, 1822-1824) cjr

3212

The Bay of Baiaae with Apollo and the Sibyl

1823 Tate Gallery, London

89693

The Bay of Baiae, with Apollo and the Sibyl

Oil on canvas Dimensions Height: 1,454 cm (572.4 in). Width: 2,375 cm (935 in). cjr

54823

The bridge on the river

mnk238 1795-1796 33.1x44.3cm

3217

The Burning of the Houses of Parliament

1834 Philadelphia Museum of Art

3221

The Burning of the Houses of Parliament

1834 Cleveland Museum of Art

73323

The Deluge

The Deluge, oil painting in the Tate Gallery, London

89951

The Dogano, San Giorgio, Citella, from the Steps of the Europa

oil on canvas Dimensions Height: 616 cm (242.5 in). Width: 927 cm (365 in). cjr

24480

The fall of an Avalanche in the Grisons (mk31)

1810 Oil on canvas 90x120cm

3223

The Fifth Plague of Egypt

1800 Indianapolis Museum of Art

3232

The Fighting Temeraire

1838 The National Gallery

40684

The Fighting Temeraire

mk156 1839 Oil on canvas 91x122cm

43313

The Fighting Temeraire Tugged to Her Last Berth to be Broken Up

mk170 1838 before 1839 Oil on canvas 90.8x121.9cm

75012

The Fighting Temeraire tugged to her last Berth to be broken up

1838(1838) Oil on canvas 91 X 122 cm (35.83 X 48.03 in) cjr

61215

The fighting Temeraire tugged to her last berth to be broken up,

The fighting Temeraire tugged to her last berth to be broken up, painted 1839.

55119

The girl wearing the skirt

mk239 1918 25.1x40.8cm

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Joseph Mallord William Turner

English Romantic Painter, 1775-1851 Joseph Mallord William Turner (23 April 1775 ?C 19 December 1851) was an English Romantic landscape painter, watercolourist and printmaker, whose style is said to have laid the foundation for Impressionism. Although Turner was considered a controversial figure in his day, he is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting. Turner's talent was recognised early in his life. Financial independence allowed Turner to innovate freely; his mature work is characterised by a chromatic palette and broadly applied atmospheric washes of paint. According to David Piper's The Illustrated History of Art, his later pictures were called "fantastic puzzles." However, Turner was still recognised as an artistic genius: the influential English art critic John Ruskin described Turner as the artist who could most "stirringly and truthfully measure the moods of Nature." (Piper 321) Suitable vehicles for Turner's imagination were to be found in the subjects of shipwrecks, fires (such as the burning of Parliament in 1834, an event which Turner rushed to witness first-hand, and which he transcribed in a series of watercolour sketches), natural catastrophes, and natural phenomena such as sunlight, storm, rain, and fog. He was fascinated by the violent power of the sea, as seen in Dawn after the Wreck (1840) and The Slave Ship (1840). Turner placed human beings in many of his paintings to indicate his affection for humanity on the one hand (note the frequent scenes of people drinking and merry-making or working in the foreground), but its vulnerability and vulgarity amid the 'sublime' nature of the world on the other hand. 'Sublime' here means awe-inspiring, savage grandeur, a natural world unmastered by man, evidence of the power of God - a theme that artists and poets were exploring in this period. The significance of light was to Turner the emanation of God's spirit and this was why he refined the subject matter of his later paintings by leaving out solid objects and detail, concentrating on the play of light on water, the radiance of skies and fires. Although these late paintings appear to be 'impressionistic' and therefore a forerunner of the French school, Turner was striving for expression of spirituality in the world, rather than responding primarily to optical phenomena. Rain, Steam and Speed - The Great Western Railway painted (1844).His early works, such as Tintern Abbey (1795), stayed true to the traditions of English landscape. However, in Hannibal Crossing the Alps (1812), an emphasis on the destructive power of nature had already come into play. His distinctive style of painting, in which he used watercolour technique with oil paints, created lightness, fluency, and ephemeral atmospheric effects. (Piper 321) One popular story about Turner, though it likely has little basis in reality, states that he even had himself "tied to the mast of a ship in order to experience the drama" of the elements during a storm at sea. In his later years he used oils ever more transparently, and turned to an evocation of almost pure light by use of shimmering colour. A prime example of his mature style can be seen in Rain, Steam and Speed - The Great Western Railway, where the objects are barely recognizable. The intensity of hue and interest in evanescent light not only placed Turner's work in the vanguard of English painting, but later exerted an influence upon art in France, as well; the Impressionists, particularly Claude Monet, carefully studied his techniques.

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